Lee Ping Bing
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Mark Lee Ping Bing (李屏賓, born 1954), also known as Mark Lee or Ping Bin Lee or Lee Ping Bing, is a critically acclaimed Taiwanese cinematographer Director of Photography, Photographer and author with over 70 films and 21 international awards to his credit including 2 Glory Of The Country Awards from the Government Information Office of Taiwan and the president of Taiwan's Light Of The Cinema Award. Lee began his film career in 1977 and in 1985 he started his prolific moviemaking relationship with Taiwanese filmmaker Hou Hsiao-Hsien. Known best for his use of natural lighting utilizing real film and graceful camera movement, Lee received the Grand Technical Prize at the Cannes Film Festival in 2000 for In the Mood for Love. A member of the Academy of Motion Picture Arts and Sciences, Lee was honored with nominations by the American Society of Cinematographers' for its 2014 First Annual Spotlight Award for Best Cinematography for his work on the 2012 film Renoir and by the French Academy of Cinema Arts for a 2014 Cesar Award for Best Cinematography also for the movie Renoir.
"[Kar-wai] just watches the monitor and says, 'no good' and I'd make changes, " explained Lee. "He wasn't specific. He knows what he wants, but you have to find it. He's a very smart, very picky guy, who gets you working for his vision. " Lee believes strongly that movies belong to the director. He's very conscious of not trying to maintain a unique style of his own, but prides himself on following the lead of the director and adapting to their style. It's this desire to explore a director's vision that has led to his fruitful collaborations with other great directors like Tran Anh Hung, Tian Zhuangzhuang and Ann Hui. "In the Mood for Love" The Criterion Collection One new way Lee has recently adapted how works is by embracing digital cinematography. "I think Hou and I were waiting for digital more than most people because of the way it worked, but when digital came in it [was] not good, " recalled Lee. "It looked good close up, but in long and wide shots the color and detail was missing, and so was the feeling. "
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READ MORE: Jim Jarmusch DP Frederick Elmes on Capturing the Soulful Essence of 'Paterson' While shooting Hsiao-Hsien's most recent film, "The Assassin, " the production took a three month break in the middle of production. Lee decided to use that time to experiment trying the newer generation of digital cameras and shot a Taiwanese film called "Sex Appeal" using Sony's F65 digital camera. The great cinematographer was please with how the movie came out, but says the key was to ignore all the rules he was told about the camera and how to shoot digitally. "They gave me a bible about what to do — shoot at this speed, use this setting — I destroyed that and then it looked good, " laughed Lee. "People couldn't tell I'd switched from film to digital, so now I feel the technology is ready for me. " "Luminosity: The Art of Cinematographer Mark Lee Ping-Bing, " a retrospective of Lee's greatest films, runs through June 30 at the Museum of Modern Art in New York. Stay on top of the latest in gear and filmmaking news!