Heartland Season 2 Episode 18
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However, the speaker in Levine's poems "is never a blue-collar caricature, " argued Richard Tillinghast in his New York Times Book Review piece, "but someone with brains, feelings and a free-wheeling imagination that constantly fights to free him from his prosaic environment. " In addition to concentrating on the working class in his work, Levine paid tribute to the Spanish anarchist movement of the 1930s, especially in The Names of the Lost (1976). In his book, The Fierce Embrace: A Study of Contemporary American Poetry, Charles Molesworth explained that Levine connected the Spanish revolutionaries with Detroit's laboring class during a brooding stay in Barcelona: "Both cities are built on the backs of sullen, exploited workers, and the faded revolution in one smolders like the blunting, racist fear in the other. " As Leibowitz summed up, "The poet's 'Spanish self, ' as he calls it, is kin to his Detroit self. Both bear witness to the visionary ideal destroyed. " Critics have described Levine's work as dark and unflinching.
Heartland season 2 episode 18 music
Levine's work was typically more concerned with the known, visible world than with his own perception of those phenomena, and this made it somewhat unique in the world of contemporary poetry. Levine himself, in an interview with Calvin Bedient for Parnassus, defined his ideal poem as one in which "no words are noticed. You look through them into a vision of … the people, the place. " Several critics faulted Levine for his reliance on narrative descriptions of realistic situations. However, Thomas Hackett, in his review of A Walk with Tom Jefferson (1988), argued that, rather than being a weakness, Levine's "strength is the declarative, practically journalistic sentence. He is most visual and precise when he roots his voice in hard, earthy nouns. " Levine's ability to craft deeply affecting poems has long been his hallmark. "His poems are personal, love poems, poems of horror, poems about the experiencing of America, " Stephen Spender wrote in the New York Review of Books. Joyce Carol Oates commented of Levine in the American Poetry Review: "He is one of those poets whose work is so emotionally intense, and yet so controlled, so concentrated, that the accumulative effect of reading a number of his related poems can be shattering. "
Levine's poetry for and about the common man is distinguished by simple diction and a rhythmic narrative style—by what Robert Pinsky once called "the strength of a living syntax. " In an American Poetry Review appraisal of Ashes (1979) and 7 Years from Somewhere (1979), contributor Dave Smith noted that in Levine's poems "the language, the figures of speech, the narrative progressions are never so obscure, so truncated as to forbid less sophisticated readers. Though he takes on the largest subjects of death, love, courage, manhood, loyalty … he brings the mysteries of existence down into the ordinarily inarticulate events and objects of daily life. " Because Levine values reality above all in his poetry, his language is often earthy and direct, his syntax colloquial and his rhythms relaxed. Molesworth argued that Levine's work reflects a mistrust of language; rather than compressing multiple meanings into individual words and phrases as in traditionally conceived poetry, Levine's simple narratives work to reflect the concrete and matter-of-fact speech patterns of working people.
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Time contributor Paul Gray called Levine's speakers "guerrillas, trapped in an endless battle long after the war is lost. " This sense of defeat is particularly strong when the poet recalls scenes from his Detroit childhood, where unemployment and violence colored his life. But despite its painful material, Levine's verse can also display a certain joyfulness, suggested Marie Borroff. Writing in the Yale Review, she described the title poem of They Feed They Lion (1972) as "a litany celebrating, in rhythms and images of unflagging, piston-like force, the majestic strength of the oppressed, rising equally out of the substances of the poisoned industrial landscape and the intangibles of humiliation. " Richard Hugo commented in the American Poetry Review: "Levine's poems are important because in them we hear and we care. " Though Levine's poems are full of loss, regret and inadequacy, Hugo felt that they also embody the triumphant potential of language and song. Levine has kept alive in himself "the impulse to sing, " Hugo concluded, adding that Levine "is destined to become one of the most celebrated poets of the time. "
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