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Rim shot! Or at least there would be a rim shot if Kevin didn't physically attack him first. As with any good time-jump gimmick, the episode allows your mind to race through its three-year gap. Where's Erika ( American Crime 's Regina King)? What happened to Nora and Kevin's adopted daughter, Lily? How did Nora break her arm? What persuaded Kevin and Tommy to put on the badge? John and Laurie — what's that about? Are Matt and Michael and John on to something with this whole "Book of Kevin" business, or are they, you know, crazy? But these aren't the sort of information-gap games played by the show during its earliest episodes, when vital information like the sibling relationship between Nora and Matt was withheld for no apparent reason other than to provide a cheap shock when the reveal arrived. Nor is this the narrative sudoku played by Westworld and other shows, in which mysteries are treated like puzzles to be solved rather than questions to be explored for emotional payoffs. What The Leftovers is doing here has a lot more in common with Mad Men 's between-season leaps, in which the show would skip over a few months and rely on its (and our) firm grasp of its characters to make sense of the differences between then and now.
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